URIEL MIRONZA's JOURNEY
Uriel Mironza – Artist, Visionary, and Creator of Time Architects
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Born in the former USSR (RUSSIA) and now living in Israel, Uriel Mironza is an artist, engineer, writer, and producer whose life story reads more like a cinematic epic than a conventional biography. From an early age, Uriel knew he was different. He PERCEIVED truths others missed AND sensED layers of reality that defied logic. His journey has been anything but ordinary, shaped by inherited trauma, personal reinvention, and a relentless search for meaning.
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A child of war-torn ancestry, Uriel carries the weight of untold family stories: Holocaust victims, fallen soldiers, and lives lost to silence and suffering. These invisible threads became the spiritual DNA of his life’s work. After years of painting, boxing, working factory shifts, and exploring the depths of psychology and faith, Uriel poured his entire being into a trilogy called Time Architects. THIS STORY IS A RARE visionary narrative THAT EXPLORES life, death, legacy, and the eternal self.
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Now 50, a father, and a man who’s reinvented himself many times over, Uriel sees his mission clearly: to turn ancestral pain into purpose and to awaken others to the unseen forces shaping their own lives. In collaboration with bestselling author Gunner Alan Lindbloom, he is bringing "Time Architects" to the screen, blending powerful storytelling with spiritual insight.
Uriel’s work is a reminder that we are more than flesh and time—that within us lives the voice of generations, and the spark of something far greater.
My MISSION
Redefining Purpose through time
From the moment he could make sense of the world, Uriel Mironza knew he was different. Not in the way children sometimes boast or dream—but in the quiet, unnerving sense that he was born carrying someone else’s memories. As if the weight of history had chosen him as its vessel.
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Born in the USSR and now living in Israel, Uriel’s life has unfolded less like a timeline and more like a mosaic—fractured, vivid, sometimes painful, always mysterious. He moved constantly as a child, attending seven schools in ten years, never staying long enough to take root. Geography blurred into a kind of exile. “By the time you got to the next place,” he jokes, “you forgot where you started.” But it wasn’t just places that changed. It was him. Over the years,
He felt as if different versions of himself were born and died in the same body—each carrying its own truths, its own battles.
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The seeds of this fragmentation were planted long before his birth. Uriel’s ancestors lived through the unimaginable: war, hunger, genocide. His maternal grandmother carried her dead child on a train for three days during a WWII evacuation, too grief-stricken to let go. The Nazis burned his great-grandparents alive in a church. His grandfather fought on the front. Another relative disappeared into the smoke of history, never to return. Uriel grew up in the long shadow of this suffering, shaped by voices that had no language—only tension, inherited fear, and a sense of unfinished destiny.
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And yet, within this pain lay a strange kind of clarity.
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Uriel began to draw as a child. Later, his art evolved into spiritual cartography—a way of mapping what couldn’t be spoken. His series The Diversity of Worlds explored the layers of reality that most people overlook. But it wasn’t enough. The volcano inside him kept building. He boxed to contain it, studied engineering to ground it, worked graveyard shifts to survive it. For years, he labored in factories by day and wrestled with existential questions by night. At one point, he worked as a lone gatekeeper at a ruined plant beside a cemetery—a metaphor too poetic to ignore. It was there, in the silence of machines and the hum of death, that a vision came to him: a black warrior beneath a starlit sky, burning with the fire of divine reckoning. That image would one day become the soul of his life’s work.
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When his daughter was born—after years of waiting—something in him snapped open. He was 44. The time had come to translate his pain, his visions, and his ancestral inheritance into words. Over the next 4.5 years, Uriel wrote Time Architects, a philosophical and metaphysical trilogy that asks daring questions: What if death is not an end but a window? What if we could walk through it into past and future lives? What if our ancestors are not gone, but watching—waiting—for us to finish what they could not?
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The trilogy became not just a story, but a reckoning. A sacred responsibility. A monument to those who were silenced, aborted by history... or never born at all.
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Now in his 50s, Uriel is a father, a husband, an artist, an engineer, and a storyteller whose life resists classification. In collaboration with bestselling author and screenwriter Gunner Alan Lindbloom, he is bringing Time Architects to the screen. He continues to seek visionaries—filmmakers, producers, creators, who, like him, believe that story is not entertainment alone, but transformation.
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To know Uriel Mironza is to glimpse a man who walks between worlds. He is a translator of the invisible, a sculptor of memory, a conduit for voices long buried. His life, like his work, is a bridge between what was and what could be. A reminder that we are not bound by time, but made of it. That we are not alone but part of something eternal.